Clark, James G., 'Thomas Walsingham Reconsidered: Books and Learning at Late-Medieval St. Albans', Speculum 77 (2002), 832-860
Quick Summary
The medieval chronicler Thomas Walsingham did not seek to the revive a
thirteenth-century tradition of historical writing but embarked on a new school
of thought altogether
- Walsingham did not seek to
imitate Matthew Paris
- The monks of St Albans were
open to a wider variety of intellectual influences by the late-fourteenth
century
- Some of the works attributed
to Thomas Walsingham were actually written by another monk at St
Albans
Key Conclusion
Clark explores the approach to historical writing adopted by Thomas
Walsingham, chronicler and monk of St Albans Abbey. The article revises the
conclusion of V. H. Galbraith, who believed that Walsingham consciously
imitated the work of the thirteenth-century chronicler Matthew Paris and sought
to revive an approach to historical writing known as the St Albans “school”. The
short-lived revival under Walsingham has been seen as the ‘swan-song’ of the
monastic chronicle in England. Clark, however, concludes that Walsingham was a
very different figure than Matthew Paris. He argues that Walsingham’s chronicle
should not be seen as the ‘swan-song’ of a once-great cultural tradition, but
rather as the ‘opening strains’ of a new school of thought about historical
writing (p. 860).
Content Overview
The abbey of St Albans was perhaps the most important centre of learning
and literary production in medieval England. Consequently, the abbey occupies a
central position in scholarly discussions about monastic culture. The writings
of Thomas Walsingham reveal how, by the late fourteenth century, intellectual
life at St Albans had become more complex and varied in character. The monks of
Walsingham’s generation were open to a wider variety of intellectual influences
than their predecessors. Many, like Walsingham, studied at university.
Scholarly pursuits took Walsingham ‘far beyond the confines of the
traditional St Albans “school”’ (p. 859). He devoted much of his career to
classical literature, and his commentaries on Latin poetry ‘set him apart from
conventional monastic culture’ (p. 860).
Further Findings
The historian V. H. Galbraith believed that Walsingham, like Matthew
Paris, had been the ‘presiding genius of the scriptorium’ at St Albans and that
every manuscript ‘passed directly through his hands’ (p. 834). However, Clark
argues that this assumption is incorrect. Rather, Walsingham was ‘only one of a
number of monks’ at work compiling and copying books. Most importantly, Clark
concludes that Walsingham was not the ‘sole author of the chronicles emerging
from St Albans’ in the late-fourteenth and fifteenth centuries (p. 859). At least
two narratives that historians have frequently attributed to Walsingham,
the Annales Ricardi Secundi et Henrici Quarti and the
shorter Gesta abbatum continuation, were the work of another
graduate-monk – William Wintershill.
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